Ian Richardson's Biography
Similar to British countrymen and great thespians John Gielgud and Ralph Richardson, although a generation later, Ian Richardson has made more of an enduring career in classical theater and BBC television than in films, although in later years he has gravitated toward the latter. Little did he expect it, but his most memorable (and frequently parodied) role may have been as the limousine occupant who asks, \"Pardon me, do you have any Grey Poupon?\" in that popular television ad. His dignified countenance and locutions have brought him frequent casting as men of education and refinement. Richardson was born on April 7, 1934, in Edinburgh, Scotland, and studied at the College of Dramatic Art in Glasgow. He first made a name for himself playing Hamlet at the Birmingham Repertory Theatre in 1960, before joining the Royal Shakespeare Company, where he began a stint of several years as the leading artist, appearing in a variety of roles. At the RSC, he created the role of Jean Paul Marat in Marat/Sade, reprising it for the much-heralded 1966 film version. Stage success in Stratford, Ontario, and New York would soon follow. His first roles on both the big and small screen were in continuing with his Shakespearean roots. Richardson appeared as Oberon in Peter Hall's well-liked 1968 rendition of A Midsummer Night's Dream, then as Don John in the BBC Much Ado About Nothing in 1978. The actor spent the early '80s in British television movies and series, most notably appearing twice as Sherlock Homes in The Hound of the Baskervilles and The Sign of Four (both 1983). Richardson began gaining more worldwide recognition with his role as an officious bureaucrat in the dystopian universe of Terry Gilliam's Brazil (1985).
Similar to British countrymen and great thespians John Gielgud and Ralph Richardson, although a generation later, Ian Richardson has made more of an enduring career in classical theater and BBC television than in films, although in later years he has gravitated toward the latter. Little did he expect it, but his most memorable (and frequently parodied) role may have been as the limousine occupant who asks, \"Pardon me, do you have any Grey Poupon?\" in that popular television ad. His dignified countenance and locutions have brought him frequent casting as men of education and refinement. Richardson was born on April 7, 1934, in Edinburgh, Scotland, and studied at the College of Dramatic Art in Glasgow. He first made a name for himself playing Hamlet at the Birmingham Repertory Theatre in 1960, before joining the Royal Shakespeare Company, where he began a stint of several years as the leading artist, appearing in a variety of roles. At the RSC, he created the role of Jean Paul Marat in Marat/Sade, reprising it for the much-heralded 1966 film version. Stage success in Stratford, Ontario, and New York would soon follow. His first roles on both the big and small screen were in continuing with his Shakespearean roots. Richardson appeared as Oberon in Peter Hall's well-liked 1968 rendition of A Midsummer Night's Dream, then as Don John in the BBC Much Ado About Nothing in 1978. The actor spent the early '80s in British television movies and series, most notably appearing twice as Sherlock Homes in The Hound of the Baskervilles and The Sign of Four (both 1983). Richardson began gaining more worldwide recognition with his role as an officious bureaucrat in the dystopian universe of Terry Gilliam's Brazil (1985).
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